SEE YOU NEXT TUESDAY


Hello Again!

Yes, It’s been a while, but I wanted to wait for something big. Winter kept me busy with tons of great stuff — an Adult Swim pilot, a documentary with the NYC Ballet, a verite-style feature with a Soprano’s cast-member (can’t say who yet), and many other shorts, pilots, commercial spots — BUT all are still in the arduous process of post-production.

SEE YOU NEXT TUESDAY, directed by Drew Tobia, is the first feature I ever worked on as the sole location sound mixer, back in January 2012, and it’s the second feature film I mixed and sound-designed in post. I completed the final mix in the wee hours of March 5 and it premiered at the Chicago Underground Film Festival on March 10 to a very pleased audience who went on to vote and bestow it with the festival’s “Audience Award”.

I can proudly say I was the one-man-sound department from start to finish on this one! I found the post process fairly smooth, mixing the same dialogue I recorded one year prior. I certainly had all the inside knowledge as to why something didn’t work immediately, and where to find what I needed in order to patch things up. Though traditionally not a common workflow at all, a one-man sound department in the era of low budget independent filmmaking kind of makes sense.

I didn’t know ahead of time I would be the post mixer, but I always roll sound as if I’m going to be. Therefore, I was aggressive when it came to collecting sound effects on set. Ambiences and room tones were a gathered frequently, as well as highly distinctive sound effects that would work best in the final mix when recorded directly from the source on set.

A drama-slash-dark-comedy, there are tons of scenes that rely heavily on creative, almost eccentric sound design. And because the film frequently intersects serious and often over-the-top drama with raw (and frequently-nonverbal) humor, the sound design needed to act like a guide walking you through the constantly-dramatic lives of these three very-flawed principal characters.

Drew was insistent that certain scenes push the limits of abrasiveness, jarring-ness, bassiness, sometimes absurdity when humor was the focus. There are multiple “fight” scenes, for example. Some purely dialogue-driven, others very physical. For heavy drama we went with bass and heightened ambiences, to create a more point-of-view effect. Other times I simply added incidental sounds like sneaker squeaks and borderline cartoonish swipes. There’s even a scene where Mona, the main character, barfs endlessly on the sidewalk, after a meltdown at a party. But we don’t see barf everywhere; we mostly hear it splashing comically on the pavement. Sound design is the guide.

And I leave you on that note! Check out the trailer. (But please be aware it’s not intended for younger ears, not like any children follow my sound career…)

Best,

Brian

One thought on “SEE YOU NEXT TUESDAY

  1. John Flood... ( Pops ) March 19, 2013 / 8:10 am

    I don’t think the language is suitable for your Mother but I liked it….

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